Take, Love, Run by Oksana Chavchenko. A British theatre director recently worked with Kyiv’s Molodiy Theatre to stage a new play which gives a glimpse of life on the front line in the new Ukraine, where personal and national debts are mounting, and many people take desperate measures as they struggle to make ends meet.
British Council Ukraine teamed up with London’s Royal Court to encourage new writing from emerging writers like Oksana Savchenko – with a staged reading, and a performance in London in English back in May. After which Andriy Bilous, artistic director at the Molodiy, said “No Ukrainian director I know would stage this. It’s so dark that they wouldn’t be able to distance themselves enough to do it justice. How can a story about a young family in crisis make you laugh, and cringe, and still somehow inspire hope? It just does. We have to do it.”
The play opened in Kyiv in October, and as shows stay in a theatre’s repertoire for years here, I was able to see the play last week. I read the English translation and set off, not really expecting to enjoy it. But director Caroline Steinbeis had done a great job, making the most of very little by way of lighting & design, and the cast of 8 Ukrainian actors gave excellent performances. The show was sold out the night I went: packed with an audience, mostly in their 20’s/30’s, who were very appreciative, and rightly so. In one of the final scenes, the heroine – despite the awfulness of her situation – begins dancing, joyfully, with the removal man who is taking her furniture away…we share in an unlikely feeling that all is not lost.
[And if you want to get the same sense of joy that only dancing with abandon, no matter what, can provoke, try watching this
Dance Moves for Life, huh? …thanks Pablo!]
After the success of Gabriel Gauchet at the Molodist Film Festival, the British Council’s New British Film Festival is about to open in six cities around Ukraine. Gauchet, a graduate of the National Film School in London, won the top prize for his short film The Mass of Men. Originally French, he now lives & works in the UK, and British Council support enabled him to attend the prize giving to pick up his award in person.
The New British Film Festival is presented with ArtHouse Traffic who run the Odessa Film Festival, and the highlight for me will be Clio Barnard’s The Selfish Giant. The film received 5 star reviews when it opened in London 3 weeks ago, and tells the story of two vulnerable children living in Bradford, who end up working for a scrap metal dealer.
British Council Ukraine are working in partnership with UNICEF to present special screenings of the film to mark International Children`s Day in Kyiv, Odessa and Donetsk; which enables UNICEF to raise the issue of the challenges faced by vulnerable children, and fuel crucial discussions amongst decision makers, journalists, business leaders, artists and the general public in an attempt to find solutions for the benefit of children in Ukraine, where nearly 100,000 children live or work on the streets; and 95,000 live in care institutions.
The promise of eternal life in the hereafter provides, for some, an escape from the harsh realities of life in the here and now.
This week I visited both St Volodymyr’s Cathedral – one of Kyiv’s newer (and best loved by locals) churches, built in the nineteenth century and covered in beautiful murals; and I took a wander around the outside of the Mykhailivskiy Zolotoverkhey Monastery.
Which led to the discovery of where you can buy those golden domes that sit on top of almost every church in this city.
Look, for just 11,500 UAH (about £850) one of those domes can be yours!
I also discovered a whole new park at the top of my street, so here’s a new view of my local church.
My weekend ended at a great gig from a talented singer/songwriter, Sophie Villy, of Georgian & Ukrainian heritage, at the Small Opera, a great venue.
There were around 300 people to see her; and, unlike in the UK, there were quite a few children there with their parents, which made for a really different atmosphere than you’d get at the same sort of gig in Manchester.
The Small Opera was built in 1902 and used to be the cultural centre for the tramworkers from the tram depot next door. It’s now in a state of disrepair that makes it atmospheric, and increasingly dangerous; and sadly, its future is uncertain as this article makes clear: Small Opera in decay. I was invited to the gig by Lera Chichibaya, presenter of The Selector in Ukraine, the British Council’s radio programme broadcast worldwide on local host radio stations, who will herself be playing at Wednesday’s Opening Party for the British Film Festival. See you there, if you’re in Kyiv…