I was invited to give a lecture as part of the CCA Foundation‘s Culture 3.0 series, which is aimed at cultural commentators, arts managers and journalists. This module focused on the Creative Economy, and was curated by social innovator Iryna Solovey, co-founder of the platform for social innovation, the Big Idea.
Around 50 people turned up to hear my presentation on how culture can help build community – drawing on my own experience with Walk the Plank and work which engages people as participants as well as spectators. I looked at Manchester as a city that has chosen to invest in culture as a way out of industrial decline; and at the Manchester Day Parade, which has offered a platform to engage diverse communities in a visible celebration of their city.(If anyone would like a copy of the notes from the lecture, please message me)
Of course, the challenge is to work out what elements of my experience, and that of a city like Manchester, can be usefully shared here – so that Ukraine can fast track its cultural capacity building and learn from our mistakes. How much of what we/I do is transferable? And what expertise gained within the western European cultural landscape is it useful to translate to an eastern European context?
I had a chance to think more about how one can support people to be active in building sustainable creative communities in the workshop which I led the next day. The 15 academics, writers, artists and practitioners who took part (shown at lunch in the picture below) were especially keen to hear about practical steps, and tips on best practice in terms of working with disengaged communities. And they have challenged me to think more deeply about how the British Council might work in partnership with them. Skill sharing and support for emerging creative thinking in the local context is crucial, as well as moments of inspiration from the new and the best UK artists and companies.
The appetite for learning and professional development here is remarkable – I don’t see that same hunger in the UK, where I think many institutions (and people) have become complacent – and I will take home with me a renewed desire to keep myself in a state of willingness to learn.
It’s worth mentioning there’s not a lot of personal learning going on linguistically, despite my initial good intentions to master the basics of Ukrainian! However, I have found out that there’s only one word (in Ukrainian and Russian) to cover the things at the end of your hands and feets – so instead of fingers and toes, there’s just пальці (paltsi). And at minus 23 they get very cold very quickly when taken out of a glove, whatever they’re called.
I was invited to see Woyzeck at the Kyiv Drama and Comedy Theatre last week, and went along with Roman Markolia, director of the Sevastopol War & Peace Festival who is in Kyiv to direct a show at another theatre; and Olya Matviiv, a colleague from British Council with an interest in theatre.
Designed by Petro Bogomazov, who had taken part in the British Council-supported theatre workshop at DramaUA, the show was a fantastic example of great ensemble work from skilled actors, and conjured a darkly grotesque world using live music, highly stylised performance & choreography. Although I didn’t understand much of the text, my attention was held throughout.
And an unexpected encounter in a local restaurant last night led me to having dinner with a Good Witch and a Wicked Witch…two stars of the Kyiv Players’ recent show: The Wizard of Oz which I saw before Christmas.
I didn’t have a chance to write up that visit, so bumping into George and Achi gives me a chance to post a photo of them in action, not as English teachers at the British Council, but in costume, on stage, for this very entertaining show, an annual event in the Kyiv theatrical calendar, and directed by one of the British Council’s teaching staff here in Ukraine.